Ah, Cemetery Man—or Dellamorte Dellamore for those of us who like to feel cultured while discussing zombie flicks. This 1994 Italian horror-comedy, directed by Michele

Oh, Quintet. What can one say about a film so bleak, so cold, and so unintentionally absurd that it makes an ice cube look warm

Ah, King of the Rocket Men, a film that rockets—quite literally—into the annals of serial cinema with all the finesse of a homemade firework. This

Ah, Velvet Smooth—a film that serves as a delightful reminder that the Blaxploitation era could make even the most nonsensical plots feel like a revolution

If The Peace Killers were a cocktail, it would be one part biker exploitation, one part counterculture rebellion, and three parts raw, unfiltered chaos—shaken, not

Ah, Radar Men from the Moon, a title that promises so much and delivers… well, not quite what one might hope, unless one’s hopes involve