Cinema has always been one of the most powerful storytelling mediums. Every year, Films capture the public imagination, dominate conversations, break box office records, and

Movie Reviews often vary dramatically between professional critics and general audiences. While critics analyze films using technical, artistic, and historical perspectives, fans evaluate movies based

Critics and Fans See Films Differently because their perspectives, expectations, and approaches to cinema are fundamentally different. While critics analyze films through technical, narrative, and

Introduction In the world of modern cinema, discussions often circle back to one key debate: critics vs audience. Why do critics praise certain films that

Some films entertain. Some films terrify. And then there are films like Night of the Living Dead—films that completely rewrite the rules of an entire

Few films have so thoroughly redefined a genre as Rosemary’s Baby, Roman Polanski’s slow-burn descent into paranoia, gaslighting, and Satanic domesticity. It’s not just a

If Once Upon a Time in the West were any slower, it would be classified as a still life. But therein lies its brilliance—Sergio Leone’s

There are films, and then there is 2001: A Space Odyssey—a film so vast, so cerebral, and so completely untethered from traditional storytelling that one

Ah, Bone Face—a film that dares to ask, “What if we took the classic summer camp slasher, added a dash of whodunit, and stirred it

Kung Fu Zombie—a film that boldly declares, “Why settle for just martial arts or zombies when you can have both, with an extra side of